Bill Brach and Gene Anthony were photographers that along with photographing the Hells Angels, are probably responsible for 80% of all the San Fran hippies, bands, people, concerts, and event images that survive today from the Haight-Ashbury "Summer of Love" period. Here's a sampling of their HA photos.....
Thursday, July 29, 2010
Bill Ray wasn't the Lone Ranger.........
Bill Brach and Gene Anthony were photographers that along with photographing the Hells Angels, are probably responsible for 80% of all the San Fran hippies, bands, people, concerts, and event images that survive today from the Haight-Ashbury "Summer of Love" period. Here's a sampling of their HA photos.....
Wednesday, July 28, 2010
Don't throw anything away......
Disassemble the forwards, save the brake pedal and pivot, master cylinder, and the heim joint. Utilize the original bung mounts for the Hellbent pipes to mount the master cylinder plate. Do a little cutting , TIG welding, and a little time on the drill press, and voila! One set of mid controls for a client's CFL. I'll show you the L/H side when I finish it up......
Thursday, July 22, 2010
Tuesday, July 20, 2010
Thursday, July 15, 2010
Phoenix........
While this lathe, made by Harper & Reynolds in L.A., Ca. is well over a century old, it's still solid, and the tolerances of all the moving parts are as tight as a gnat's ass. In other words, it'll still turn out some pretty nice work, and it'll probably be turning out parts long after I'm gone. Originally it saw service in somebody's steam powered machine shop (look a couple posts back for an idea), it was converted over to electric power around 1924 or so, as many of these old lathes were.
We've done some peliminary cleaning and de-greasing, and as I go along, I plan on doing a full cosmetic restoration on it, as time permits. Who am I kidding? I think once I start running this lathe, it'll be hard to tear it down for it. But, there's plenty I can do,and still run it at the same time. I'll post up when I get more done on it, and get it all wired in and running. In the meantime, check out these photos of what it looks like today......
Harper & Reynolds made lathes, milling machines, drill presses, and also sold wholesale and retail blasting supplies and other mining equipment. They had two big warehouses/manufacturing plants within a couple blocks of City Hall, right in the heart of downtown Los Angeles.
You can also see the woven fabric drive belts (I'm keeping them), one of which needs to be replaced. Fortunately, Western Belting is right here in Denver, and they can make me any belt I need for this application.
To disengage the lathe, you move the arm (A) to the right, and it'll coast to a stop. Too cool, right?
I still need to pick up a 5/16" lathe chuck key for it (it has a nice four jaw chuck), have a new pulley belt made, and a couple drill chucks, of which I'm fortunate in that it has the standard Morse taper. Those are my goals for the next couple weeks. After that, I'll start running the electrical wiring, the breaker, and the new on/off switch for it. I'll also be scouring the steel yards for rems to make the new back hanger for the pulleys and motor.
Wednesday, July 14, 2010
L.A. blows........
Tuesday, July 13, 2010
CNC ???
Machine shop training in 1919. That guy on lathe #2 better not bend over too much further, or he'll have lathe #1's cogs and belt ripping him a new asshole.
At this time, most machine shops were steam-powered. A steam engine would power the massive shafts running down the center of the roofs you see in the photos. And, as you see, leather or heavy woven cloth belts ran from those upper shaft pulleys to power the machinery itself.
Usually, all the lathes were in one row, all the milling machines in another, all the drill presses in another - all powered from those elevated driveshafts via belts. Dangerous? Fuck yeah, it was dangerous. But, this was also a time where people were a little sharper than they are today. I know people today who can't operate a cordless screwdriver without seriously injuring themselves.
Sunday, July 11, 2010
Friday, July 9, 2010
Wednesday, July 7, 2010
Walt Seigle
What always appealed to me about this bike is the overall Frisco look of it, mixed with that hard-edged New York City style of lane-splitter. You can see that Walt took a lot of his styling cues from Sonny Barger's "Sweet Cocaine" bike, and added his own typically NYC twist on the project. The stance is perfect, and it looks to be charging thru Manhattan traffic just sitting there in the photo.
Speaking of the gas tank, Walt sculpted and extended the steel Sporty tank's tail in fiberglass, then mounted it Frisco style. But, he didn't drop the tunnel or move the filler neck up to increase his gas capacity. He did, however, relocate the petcock to the Lt. rear of the tank. Strange setup.
The other thing I've always noticed on most NYC bikes from the likes of Seigle, SD, Psycho, and Indian Larry, vs. the Frisco bikes, was the use of forward foot controls, over mid pegs/controls. Both the NYC and Frisco styles of bikes developed from a need to cut a fast trip thru heavy traffic and splitting lanes. Just another regional preference, I guess.